Figurative Works
Tour de France Femmes 2024
Tour de France 2024
Paris 2024 Olympics
Zurich 2024 UCI Worlds
Still Lifes and Food
Commissioned Artwork
Spiritual Works
Stained Glass
Garden Paintings
Limited Edition Prints
Painting a Day
Acrylic Paintings
MIxed Media
Tour de France & Tour de France Femmes 2023
Tour de France & Tour de France Femmes 2022
Spring Classics
Tour de France 2016
100th Giro d'Italia
Tour de France 2015
Tour Down Under
Summer Olympics
Three Dimensional Painting
Giro d Italia
Tour de France 2014
Tour of Britain
Criterium du Dauphine
Dauphine 2014
Cycling Art Books
Doha 2016 UCI Road World Championships
Richmond 2015 UCI World Road Championship
Other Cycling Art
Professional Women's Cycling
Tour of California
Vuelta 2017
Bergen 2017 UCI Road World Championships
101st Giro d'Italia
Tour de France 2018
Tour de France 2019
Yorkshire 2019
Paris Nice
2020 Bike Racing Revised Season
Tour de France 2020
Spring Classics 2021
2021 Tour de France
2020 Summer Olympics
Flanders 2021
Winter Olympics 2022
Wollongong 2022, UCI Road World Championships
Vuelta a Espana 23
Wanting to Be Queen LC20-1
While I watched the two races in reverse order, it was the women who first raced around the streets of Nice and up the Cote de Rimiez. Unlike the men, the women's race started out by going straight for the climb to the Queen of the Mountain points. With such a blistering pace on the climb, it wasn't long before many of within the peloton found their day over before it even started. As the peloton neared the summit, Christine Majerus (Boels-Dolmans), the oft champion of Luxembourg, jumped free to collect the maximum points on the climb. If the same rules were applied as for the men, it means she claims the Maillot a Pois of Queen of the Mountains. Giving chase was Maria Guila Confalonieri (Ceratizit-WNT) and it was Dani Christmas (Lotto Soudal Ladies) taking second over the cote for the first time.